| Lot No. |
Item Description |
Hammer Price |
Lot Picture |
| 64 |
Ten fans, mainly 1850-1900, including a framed and mounted painted black chiffon and lace fan; monogrammed sandalwood brisé fan; hand-coloured printed fan with musicians in a garden, the bone guard with gilt metal pomander; Japanese painted silk fan with pots and blossom and others (qty) Please note there are export restrictions on this lot outside the EU |
£300 |
|
| 65 |
Three Brussels lace bridal fans, circa 1880, all with plain mother-of-pearl sticks and guards, one with lace-covered satin leaf, the others guipure, the largest 30cm, 12in in gilt card case (4) |
£260 |
|
| 66 |
A pair of gilt metal filigree bracelets, probably 1860s, unsigned, designed to imitate lace cuffs, 22cm circumference; together with an 1860s gilt metal brooch inset with turquoise stones, 'keepsake' locket of woven hair to underside; another example of 'starburst' design, late 19th century, signed 'silver'; gilt metal 'leaf' cuff; and haircomb with cameos (6) |
£550 |
|
| 67 |
Five gilt metal theatrical tiaras/crowns, 19th century, including one example featuring flower-heads and stars inset with rhinestones; another with 'pearls' and 'rubies'; and an example of acorn leaves with central medallion featuring musical instruments, matching separate branch (6) |
£1900 |
|
| 68 |
A good group of evening accessories, mainly 1920s-30s, including sequinned capelet, labelled 'Made in France'; winged metal and diamanté headdress with pink ostrich plume; another example with singular standing star; together with fifteen mostly advertising paper fans; and others (qty) |
£1400 |
|
| 69 |
A gentleman's embroidered velvet smoking cap and accessories, 19th century, including a pair of ivory moiré boots worn by Miss Ellen Cowen on her wedding day in 1862, with silk rosette wedding favour; 1880s ivory satin heeled shoes by Samuel Winter; Ottoman red felt slippers with metalwork embroidery; pair of black knitted cotton stockings; two face screens; two 1840s cotton bonnets and a cotton pocket, first half of the 19th century (qty) |
£550 |
|
| 70 |
A group of mainly Spitalfields silk lengths, trimmings and others, 18th century- mid 19th century, including a dress of 1760s silk, construction first half of the 20th century; 1920s drawstring purse of 1760s brocade; printed muslin commemorative panel for The Great Exhibition, 1851, 47x61cm; sampler and length of Berlin wool work; 1830s-40s printed silk gauze shawl, approx 165x172cm; and others (qty) |
£600 |
|
| 71 |
A brocaded silk robe à l'Anglaise, English, 1770s but with alterations, the ivory ground with silver filé thread stripes and silver and gilt thread feathers and floral sprigs, with close front bodice, original side pocket slits to skirt; together with a matching petticoat panel, unpicked down the rear seam, the front composed of two loom widths, the back pieced together and with plain silk at the seat area (2) |
£1000 |
|
| 72 |
A group of antique dresses, including woven saffron sprigged silk dress, 1820s but later altered; together with a changeant blue-green taffeta silk dress 1850s; finely embroidered purple silk jacket 1860s; gentleman's velvet waistcoat, 1850s; a pieced and quilted pink silk petticoat, late 18th - early 19th century, remnants of a pink silk gown circa 1910 and others (qty) |
£850 |
|
| 73 |
A group of undress and printed cotton clothing, 1840s-1910s, comprising: embroidered silk kimono/tea gown, c.1890; cotton 1870s déshabillé with red and blue star print; 1860s piqué cotton bolero with soutache braid; 1860s paisley printed dress; pink and white 1840s floral muslin example; corset by 'Maison Taset' in an 'Izod's Patent' box; another by 'Doctor Warner'; painted corset busk; and a small Chinese embroidered drawstring purse, various sizes (qty) |
£1000 |
|
| 74 |
A little girl's white cotton dress trimmed with soutache braid, 1860s, with hook and eye closures, bow to rear, the skirt with ruffle to interior to give volume, chest 46cm, 18in; together with another example of striped silk, matching original overskirt, with bright blue silk self-covered buttons, braid and fringing, chest 61cm, 24in; three 19th century white-worked cotton baby gowns, bonnet and vest (8) |
£240 |
|
| 75 |
Cecil Beaton costume designs, probably for Oscar Wilde's 'Lady Windermere's Fan', Haymarket production, 1945, pen and ink on paper, seven 1895s-style dresses and details, with Christie's auction stamp to lower left corner, 26 by 19.5cm within mount and frame Provenance: Stage and Costume Designs, Fashion Drawings, Landscapes, Portraits and Sketch-Books by Cecil Beaton, C.B.E., From the Estate of the Late Miss Eileen Hose, Christie's, London, 21 June 1988. Artist's re-sale rights are applicable on this lot |
£550 |
|
| 76 |
Two knitted wool bathing suits, 1920s, the first in black with ecru wrap-around waist-tie, mother-of-pearl buttons to shoulders; the second in navy, the sailor-style collar buttoning at the left side; together with an associated overskirt; chests approx 82-86cm, 32-34in (3) |
£190 |
|
| 77 |
Six floral printed chiffon and muslin dresses, 1930s, four with matching jackets; together with another example of coral rayon and tulle; and a 1940s floral printed rayon gown, busts approx 81-102cm, 32-40in (11) |
£700 |
|
| 78 |
A pair of Ferragamo-inspired navy suede and white leather shoes, late 1930s-early 1940s, unsigned, striking wedge heels, slashed and twisted detailing to uppers, marked size 7, 23cm, 9in long; together with a brown ribbed wool coat, mid 1930s, the sleeves with finely pleated gauntlet cuffs, separate fur scarf/collar with fan-like insertion of matching pleated wool, chest 92cm, 36in (4) |
£220 |
|
| 79 |
An Ossie Clark embroidered black moss crêpe dress, mid 1970s, labelled and size 10, with red and white detailing, abstract flowers to midriff and cuffs designed by Celia Birtwell, bust 86cm, 34in, waist 66cm, 26in |
£480 |
|
| 80 |
A group of Lilly Pulitzer colourfully printed menswear, 1970s, 'Men's Stuff' labelled, three ensembles and separates, comprising: cotton-blend sports jacket with Siamese cat print; salmon-pink linen example, gilt buttons cast with a smiling lion holding a flower; another in shades of bright orange; two pairs of trousers; synthetic shorts printed with tigers; cotton jersey shirt and two cotton ties, chests approx 107cm, 42in, waists 92-102cm, 36-40in (9) Heiress Lilly Pulitzer (nee McKim) founded her clothing company in 1959. Known for her brightly coloured, playful prints and smart-casual cotton daywear, her designs were popular with socialites and the wealthy elite in Palm Beach, Florida. The company's main factory was in Miami, and the fabrics were produced by the Key West Hand Print Fabrics company in Key West. When Jacqueline Kennedy was photographed in 'LIFE' magazine wearing a Pulitzer dress, the brand's popularity spread across America and Lilly became known as 'the Queen of Prep'. The 'Men's Stuff' label was introduced in the late 1960s and is believed to have lasted only a few years. |
£900 |
|
| 81 |
Two Lilly Pulitzer multicoloured printed cotton-blend sports jackets, 1970s, 'Men's Stuff' labelled, each featuring smiling lions; together with two Lilly Pulitzer cotton jersey shirts and three pairs of trousers, all 'Men's Stuff' labelled, chests approx 102cm, 40in, waists 76-82cm, 30-32in (7) |
£500 |
|
| 82 |
A group of Lilly Pulitzer colourfully printed menswear, 1970s, 'Men's Stuff' labelled, comprising: cotton-blend sports jacket printed with Koi fish, dragons and waves; another example with woodland animals; zebra-printed cotton tunic; two jersey shirts; four pairs of trousers, including one pink needlecord example; and a tie, chests approx 102-107cm, 40-42in, waists 82-92cm, 32-36in (10) |
£850 |
|
| 83 |
Two good Lilly Pulitzer novelty printed linen-blend sports jackets, 1970s, 'Men's Stuff' labelled, the first in shades of blue, orange and green with leopards; the second with various animals amongst daisies; each with signature gilt smiling lion-head buttons; together with two pairs of Lilly Pulitzer printed cotton trousers, chests 102cm, 40in; waists 92cm, 36in (4) |
£380 |
|
| 84 |
Seven Pucci printed silk ties, probably 1970s-1990s, labelled, in various colourful patterns; together with another Pucci example in silk-chiffon (8) |
£150 |
|
| 85 |
Seven Pucci printed silk ties, 1970s-1990s, labelled, three examples in shades of pink, brown and yellow; together with another Pucci example in silk-chiffon (8) |
£150 |
|
| 86 |
A Pucci for Ermenegildo Zegna man's burgundy corduroy blazer, 1970s, labelled, double-breasted with gilt buttons, lined in signature Pucci printed silk, chest 96cm, 38in; together with two Pucci silk ties, labelled (3) |
£180 |
|
| 87 |
A full-length white mink coat, Fendi, 2000s, unlabelled, but re-lined by Barnado of Dublin and now bearing their label, the deep shawl collar, front closure edged in tousled self-fringing, with additional horizontal self-fringed bands throughout, lined in white cotton, chest approx 157cm, 50in The vendor informs us that the original purchase cost of this coat was around $30,000. |
£380 |
|
| 88 |
An Yves Saint Laurent leather and shaved fox fur jacket, 1980s, Fourrures labelled, lined in beaver lamb; together with an Yves Saint Laurent Rive Gauche brown corduroy coat with leather drawstring waistband, chests approx 102cm, 40in (2) |
£250 |
|
| 89 |
A group of Yves Saint Laurent Rive Gauche winter clothing, late 1970s-80s, labelled, comprising: printed wool smock dress; faux astrakhan jacket; another in purple needlecord; printed wool smock/top; wool skirt and red wool coat trimmed with velvet, busts approx 92-102cm, 36-40in (6) |
£550 |
|
| 90 |
An Yves Saint Laurent Rive Gauche purple and green suede ensemble, early 1980s, labelled, comprising jacket with zig-zag detailing and bloomers, bust 107cm, 42in, waist 66cm, 26in; together with another example of russet brown suede, the jacket with gilt buttons, wrap-around skirt, bust approx 40in, waist 66cm, 26in (4) |
£360 |
|
| 91 |
An Yves Saint Laurent brown cotton 'gipsy' blouse, 1977, Rive Gauche labelled, with front lacing; together with a John Hagarty Victorian-inspired wool cloak with dramatic green satin lined hood; Missoni knitted silk top and cardigan; Jean Muir rayon dress, all 1970s and labelled, busts approx 92cm, 36in (6) |
£380 |
|
| 92 |
A Bill Gibb knitted ensemble, 'Moon and Buddha' collection, Autumn-Winter 1975-76, labelled, comprising oversized kimono-coat; harem-style trousers with drawstring waistband, waist approx 82cm, 32in; and matching bag with large tassel (3) |
£400 |
|
| 93 |
Two Bill Gibb knitted jersey ensembles in pastel shades, 10th Anniversary collection, 1977, labelled, mix-n-match style, comprising: kaftan-style robe; oversized cardigan; jumper; top with plunging neckline; bloomers; skirt and matching scarf, various sizes (7) |
£420 |
|
| 94 |
A group of Bill Gibb woollen knitwear, 'Byzantine' collection, Autumn-Winter 1976-77, labelled, comprising wrap-around style coat; two jumpers; pointed hat with tassel; large stole and a scarf, chests approx 96-102cm, 38-40in (6) |
£280 |
|
| 95 |
Bill Gibb knitted 'Piano Key' variation cardigan and scarf, 1970s, labelled; together with a Bill Gibb enamelled bee brooch; black jersey kaftan; draped top with integral ties and purple blouse, all labelled, various sizes (6) |
£160 |
|